The Inhabitants

Beth Castrodale’s The Inhabitants is a fine example of modern Gothic fiction, featuring Nilda Ricci, an artist who inherits an old Victorian building. She is thrilled at the chance to bring her daughter, Sidney, as they both recover from the recent death of Nilda’s mother.

The story begins with a woman comforting a little girl as they move into a new home, having been forced out of their old apartment due to rising costs. Their new home is large but run-down, with its fair share of oddities, as any house over a hundred years old might have. They also meet a friendly neighbor who raises chickens and takes more than a passing interest in Nilda, offering advice on how to deal with the house’s quirks while hinting at romantic intentions.

Nilda’s role as a mother sets The Inhabitants apart from many classic Gothic novels, where unattached protagonists are the norm. The neighbor’s observation on page 18 that “he’d seen no sign of a man–or woman” is a subtle yet strong reminder of the book’s contemporary setting. Both elements are welcome and refreshing touches.

From the outset, the novel pays homage to traditional Gothic fiction, with its themes of unexpected inheritance, eerie old houses, mysterious histories, and romantic interests with hidden secrets. Although the story occasionally shifts to focus on other characters, these moments are rare, maintaining a clear tribute to the Gothic genre. Technological advancements also play a role, particularly on page 98, where there is a thoughtful, if brief, exploration of how television viewing habits and emotional states can change in response to life events. Likewise, the story delves into modern concerns, such as social fallout, but places greater emphasis on family—especially Nilda’s daughter—and financial worries. These modern touches breathe new life into familiar Gothic tropes.

Themes of loss and trust run throughout the novel, though neither is explored in an especially groundbreaking way. Still, both themes are fitting for the genre. Gothic narratives often revolve around mistrust, and loss is a universal part of life. The book’s backstory necessitates these themes and makes their presence feel natural. What stands out are the unique directions the story takes in addressing them.

The novel concludes with acknowledgments, book club questions, and a discussion guide, clearly designed for group reading but also useful for individual reflection.

At a relatively short length, The Inhabitants is a quick, engaging read. The modern updates to the classic Gothic formula are refreshing, and the characters are relatable without feeling shallow. Many readers will finish the book in one sitting, while others may take just a few days. Recommended for those curious about a contemporary twist on Gothic fiction